Composer Pro II + Edge 35

That narrow band of sharp focus really makes my portraits pop against a creamy blur. The 35mm focal length is perfect for getting close while still including context.

The slice of focus effect on this 35mm is so much fun to play with — I've been shooting wide open at f/3.5 and the way the sharp band cuts through the frame makes even boring streets look interesting. Swapping optics takes a few seconds once you get the hang of it.

I picked up the 35mm optic to swap onto my existing composer and the f/3.5 aperture gives me way more room to work in dim light than I expected. The focus slice is wider than the 50mm I used before, which is perfect for street shots where I still want context around my subject.